![]() No Way Home begins with some semblance of the teen hijinks that powered the last two films featuring Holland as Peter Parker. Read: Spider-Man: Far From Home satirizes the way Marvel movies are made The film might be a new nadir of cinema-but it’s also an undeniably watchable good time. Spider-Man: No Way Home unfolds as though it were written by a room full of children who had just eaten a whole bag of sugar it’s a hectic series of plot twists and deus ex machinas that overturns an entire bucket of action figures and smashes them all together with delight. Jon Watts’s film collides with Spidey flicks of the past, roping in old villains from other franchises to deliver a turbocharged, 148-minute nostalgia rush. In this third entry in the third Spider-Man series, which features Tom Holland as the web-slinging do-gooder, one cinematic universe simply isn’t sufficient. ![]() Spider-Man: No Way Home, however, has a maniacal sense of glee that not even prior Marvel movies possessed. ![]() The Marvel Cinematic Universe, a staggering piece of storytelling that shows no sign of abating after 27 films, has figured out how to bottle that feeling and sell it to grown-ups and kids alike, provoking cheers every time Iron Man gets a croissant with the Hulk. Superhero movies often evoke the feeling of childhood play, of breaking out a couple of action figures and thrilling in imaginary team-ups and surprise villain cameos. ![]()
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